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Mar 8 2008, 8:19 PM EST
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Change: Renamed from Illusions & Techniques by Mar 8 2008, 8:19 PM EST for: Rename
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Mar 8 2008, 8:17 PM EST
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Change: Moved by Mar 8 2008, 8:17 PM EST
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Jul 3 2007, 10:40 AM EDT
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Change: There were only format changes (bold, italics, etc.) in this version. See this version for details.
(Word count: 571)
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Jul 1 2007, 11:36 PM EDT
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Change: iiron ron oxideA warm black, made from a heavier mineral pigment than the others. Mars black is the blackest and is very opaque.Bone or Ivory Black - animal bonesIvory black has a neutral brown undertone, and will
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Jul 1 2007, 11:35 PM EDT
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Change: - carbonA blue-black with high tinting strength and can overpower when mixed with colour. OILY RAG DISPOSAL FOR OIL PAINTERSNatural Substances such as linseed or poppyseed oil act as polymers when hardened. When paper towels or rags wet with these oils polymerize or harden, they can spontaneously combust.
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(Word count: 572)
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Jul 1 2007, 11:28 PM EDT
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Change: shading and perspective. ( chiar-‘oskyur-o ) is howChiaroscuro is a method for applying value to a two-dimensional piece of artwork to create the illusion of a three-dimensional solid form. In this system, if light is coming in from one
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(Word count: 570)
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Jul 1 2007, 9:59 PM EDT
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Change: There were only format changes (bold, italics, etc.) in this version. See this version for details.
(Word count: 568)
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Jul 1 2007, 9:58 PM EDT
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Change: There were only format changes (bold, italics, etc.) in this version. See this version for details.
(Word count: 568)
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Jul 1 2007, 6:00 PM EDT
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Change: There were only format changes (bold, italics, etc.) in this version. See this version for details.
(Word count: 568)
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Jul 1 2007, 6:00 PM EDT
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Change: There were only format changes (bold, italics, etc.) in this version. See this version for details.
(Word count: 568)
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Jul 1 2007, 5:59 PM EDT
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Change: There were only format changes (bold, italics, etc.) in this version. See this version for details.
(Word count: 568)
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Jul 1 2007, 5:58 PM EDT
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Change: http://www.currys.com/knowledge/white.asp Titanium White - titanium dioxide (oxide)Most opaque white, perfect choice for direct painting but difficult for color mixing because it takes so much color to tint Titanium. It does not dry very quickly and is more Zinc white in this respect. Flake White -
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(Word count: 568)
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Jul 1 2007, 5:57 PM EDT
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Change: slow drying white recommended for scumbling and alla prima painting. Basic Blackshttp://www.paintmaking.com/black.htmMars Black - Iron oxideA warm black, made from a heavier mineral pigment than the others. Mars black is the blackest and is very opaque.Bone or Ivory Black (animal bones)Ivory black
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(Word count: 561)
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Jul 1 2007, 5:56 PM EDT
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Change: There were only format changes (bold, italics, etc.) in this version. See this version for details.
(Word count: 559)
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Jul 1 2007, 5:56 PM EDT
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Change: There were only format changes (bold, italics, etc.) in this version. See this version for details.
(Word count: 559)
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Jul 1 2007, 5:55 PM EDT
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Change: Flake white has a heavy pigment and is regarded as the most reliable white on which to build a painting. It can be applied more heavily than other whites with less danger of cracking than other whites. Flake white dries well and is a "warm" white. Zinc White
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Jul 1 2007, 5:25 PM EDT
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Change: You can always: crop an image, remove forms of non-interest, add textures or objects in space (positive: form/object - negative: space in & around)Choosing a format to layout your drawing may be altered, or determined by the original if using a grid. The easiest way to
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(Word count: 343)
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Jul 1 2007, 2:51 PM EDT
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Change: Your eye will always go to the darkest darks & the lightest lights( Illusionistic Space ) is whatSpace or depth indicated or implied on a two-dimensional surface through devices such as perspective. ( chiar-‘oskyur-o ) is howChiaroscuro is a method for applying
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Jul 1 2007, 2:51 PM EDT
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Change: There were only format changes (bold, italics, etc.) in this version. See this version for details.
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Jul 1 2007, 2:37 PM EDT
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Change: -highlights are the lightest shape of a form (an intense reflection)-reflected light (soft light of darker side)VALUE * TEXTURE * LIGHT * SHADOWBRUSH SHADINGusing soft graphite or charcoal, a stiff brush will move the dry media around like paint. In the same way,
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(Word count: 413)
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